Heritage · ARCHIVE RECORD

Palestinian embroidery (tatreez)

التطريز الفلسطيني

Women’s dresses, jackets, headdresses and veils embroidered with birds, trees, flowers and geometric patterns, in silk thread on wool, linen or cotton, most often in cross-stitch. Made and worn first in the villages, it is now common across Palestine and among the diaspora, passed from mother to daughter and in formal courses. Its colours and designs once told a woman’s region and her marital and economic status: in central Palestine widows stitched blue over their red embroidery, and in the Bedouin south a girl wore a black dress embroidered in blue until she married, and red after. The most intricate work came from central Palestine, around Bethlehem, Hebron and Ramallah; Bethlehem was known for couching in gold or silver thread. After 1948, women in the refugee camps embroidered for a living, and the dress turned from a sign of a woman’s village into a symbol of Palestinian national identity. UNESCO inscribed the art on its Representative List of the Intangible Cultural Heritage of Humanity in 2021.

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NAMES & SOURCES

Also recorded as.

  • Tatreez

    Transliteration · en

  • تطريز

    Alternate name · ar

Sources for this record.

  1. The art of embroidery in Palestine, practices, skills, knowledge and rituals (Representative List, 2021) ↗

    UNESCO · section: Description

    Evidence version: unesco-ich-palestinian-embroidery:v1
  2. Palestinian Embroidery ↗

    PalQuest · Institute for Palestine Studies · section: The article by Diana Abouali: regional styles, colour and status, embroidery after 1948

    Evidence version: palquest-palestinian-embroidery:v1

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